![]() |
Volume 9, Issue 1
|
Letter
from the Editor |
|
|
|
||
I never fail to be thrilled by the extraordinary and continually widening reach of our journal. Nearly sixty residents of fifteen countries have contributed to this issue, each of them telling a transnational story in prose or poetry, or contributing to a vast international literary conversation about writing from dozens of other countries and cultures. Many of them, like Jessica Sanfilippo Schulz, would be ‘Third Culture Kids’, spending their lives straddling borders and boundaries. Jessica’s essay is one of an especially rich collection we have to offer you this November, with subjects ranging from Denmark-based Indian novelist and poet Tabish Khair to the young Afghanistan-born US memoirist Farah Ahmedi. And we range not only across countries but across centuries, with essays on the early twentieth-century Australian writer Nettie Palmer along with more internationally recognisable literary figures such as Joseph Conrad, Jean Rhys and Washington Irving. Lastly, Patrick McCabe’s 1992 novel The Butcher Boy is the subject of a spirited assessment by Marie McMillan.
Poetry editor Heather Taylor Johnson adds, ‘Gaskin uses repetition and noun-substitution to surprise and challenge her readers, and that's something interesting about this group of poems as a whole: though they're mostly weighty in tone, they're quite playful in style. Experimentation with punctuation seems to be a recurring event, and in a modern-day anti-rhyming mindset, some of the poets make a bold move to keep rhyme alive.’
Seven stories and memoirs take us around the world, in humorous and poignant narratives inspired by personal encounters across cultures and countries. As always, the stories are truly transnational and range from magic realism in a Thai orphanage and early morning exasperation in South Korea to first world tourists in South India and a violent death in the cane fields of Fiji. Gillian Dooley, General Editor Transnational Literature, Volume 9, Issue 1: Contents |
||
Contributors | ||
Articles |
||
Esterino Adami | Spoiling suspense? Anticipatory structures as creative narrative devices in Tabish Khair’s diasporic fiction | |
Jane Hanley | Nettie Palmer’s South to South: Australia, Chile and Writing the Nation | |
Jessica Allen Hanssen | Transnational Narrativity and Pastoralism in The Sketch Book of Geoffrey Crayon, Gent. by Washington Irving | |
Neelam Jabeen | My Memoir Betrayed Me: A Neo-Expressivist Study of The Other Side of the Sky: A Memoir by Farah Ahmedi | |
Alexandra Philp | The Geography of Jean Rhys: The Impact of National Identity upon the Exiled Female Author | |
Thais Rutledge and Robert T. Tally Jr. | Formed by Place: Spatiality, Irony, and Empire in Conrad’s ‘An Outpost of Progress’ | |
Jessica Schulz Sanfilippo | Marketing Transnational Childhoods: The Bio Blurbs of Third Culture Novelists | |
Review Essay | ||
Marie McMillan | A Slaughterhouse of a Story: The Butcher Boy by Patrick McCabe | |
Complete articles in one file | ||
Poetry (Editor: Heather Taylor Johnson) |
||
Adeeb Kamal Ad-Deen | That is the poem | |
Alison Flett | Lovesong | |
Sanjeev Sethi | Synchromesh | |
Debasish Lahiri | Afternoon Suicide | |
Susan Hawthorne | earth's back | |
Rizwan Akhtar | The dancing courtesans of old Lahore | |
Sharon Kernot | London - April, 1986 | |
Lane Ashfeldt | Chernobyl Cherries | |
Kathryn Hummel | Convergence | |
Robert Lumsden | Wai Li at the Coffee Maker | |
Claire Gaskin | LiveRecovery | |
Satendra Nandan | Votualevu Junction | |
David Adès | Disembarking | |
Complete poems in one file | ||
Translation |
||
Saba Vasefi |
The Forbidden Gender. Translated from the Persian by Sheema Kalbasi |
|
Fiction and life-writing (Editor: Ruth Starke; assistant editor Molly Murn) |
||
Michael Armstrong | ‘Zerangi’ is a word in Farsi meaning ‘clever’ that is used to describe one-upmanship. In hectic chaotic Gulf traffic, driving and zerangi go hand in hand. | |
Rosemary Jackson | 'Maengmoom' is the Thai word for spider. Twenty-five years ago many Australian families adopted children from Thai orphanages. This story explores the powerlessness of such children and one child’s approach to gaining agency in a world that threatens to overwhelm. Maengmoom’s discovery of her unique gift enables her to use this special thing to make her dreams come true. | |
Julie Kearney | 'Stepping in the River' is about the cultural misunderstandings and small betrayals that arise when First World tourists visit Third World countries. It is also about the enduring love that people in these countries can inspire, imperfect though that love may be. | |
Kavita Ivy Nandan | When two sweet-makers travel to the new world to make a better start, they find life (and death) on the sugar cane fields is bittersweet | |
Kelly Quinn | 'I taught English in Seoul, Korea, in the early '90s. Strange things sometimes happened.' | |
Sunil Sharma | 'Are Hills Like White Elephants?' is, of course, inspired by Hemingway; the tribute reflects on the abiding relevance of serious art in a changed world and extends the boundaries of his message to other human situations. | |
Vicky Tsaconas | This piece is inspired by the sea and memories. It is a reflection on my relationship to both on the connections between them. | |
Complete Fiction & life writing in one file | ||
Book reviews: Poetry | ||
Ash Connell | Naming the Ruins by Dinah Roma | |
Ash Connell | The Beautiful Anxiety by Jill Jones | |
Pratap Kumar Dash | The Land: Poems from Australia and India edited by Jaydeep Sarangi and Rob Harle | |
Douglas E. Kazé | 100 Days by Juliane Okot Bitek | |
Zach Linge | either, Orpheus by Dan Disney | |
Heather Taylor Johnson | ||
Heather Taylor Johnson | Comfort Food by Ellen Van Neerven | |
Amelia Walker | No Waiting Like Departure by Debasish Lahiri | |
Complete Book reviews: Poetry in one file | ||
Book reviews: Fiction and Life Writing | ||
Jenny Boźena du Preez | Colouring the Rainbow: Blak Queer and Trans Perspectives: Life Stories and Essays by the First Nations People of Australia edited by Dino Hodge | |
Andrew Craig | The Girl with Seven Names by Hyeonseo Lee | |
Sam Franzway | United States of Banana by Giannina Braschi | |
Saba Idris | A Chinese Affair by Isabelle Li | |
Saba Idris | The Kindness of Enemies by Leila Aboulela | |
Gay Lynch | Here Where We Live by Cassie Flanagan Willanski | |
Michael X. Savvas | Ecstasy Lake by Alistair Sarre | |
Ruth Starke | Hausfrau by Jill Alexander Essbaum | |
Kathleen Steele | Maralinga’s Long Shadow by Christobel Mattingley | |
Emily Sutherland | Ice Letters by Susan Errington | |
Emily Sutherland | A Very Normal Man by Vincenzo Cerami, translated by Isobel Grave | |
Amelia Walker | three titles: Breaking the Boundaries: Australian Activists Tell Their Stories edited by Yvonne Allen and Joy Noble; The Transnational Story Hub: Between Self and Other by Merlinda Bobis and Belén Martín-Lucas; Surviving in My World: Growing Up Dalit in Bengal by Manohar Mouli Biswas. | |
Complete Book reviews: Fiction and life writing in one file | ||
Book reviews: History, Theory and Criticism | ||
Piper Bell | An Introduction to Feminism by Lorna Finlayson | |
Subashish Bhattacharjee | V.S. Naipaul: An Anthology of 21st Century Criticism edited by Ajay K. Chaubey | |
Sourit Bhattacharya | Realism in the Twentieth-Century Indian Novel by Ulka Anjaria | |
Sean James Bosman | Nineteenth-Century British Literature Then and Now: Reading with Hindsight by Simon Dentith | |
Laura Deane | Thicker Than Water: History, Secrets and Guilt – a Memoir by Cal Flyn | |
Laura Deane | Racism and Sociology edited by Wulf D. Hund and Alana Lentin | |
Carole Gerster | The Cultural Politics of Colorblind TV Casting by Kristen J. Warner | |
Israel Holas Allimant | Science Fiction and Digital Technologies in Argentine and Brazilian Culture by Edward King | |
Nor Faridah Abdul Manaf | Space and Place in Children’s Literature, 1789 to the Present edited by Maria Sachiko Cecire, Hannah Field, Kavita Mudan Finn and Malini Roy | |
Adam R. McKee | Toward an Urban Cultural Studies: Henri Lefebvre and the Humanities by Benjamin Fraser | |
Aretha Phiri | Physics of Blackness: Beyond the Middle Passage Epistemology by Michelle M. Wright | |
Aretha Phiri | Vernacular Worlds, Cosmopolitan Imagination edited by Stephanos Stephanides and Stavros Karayanni | |
Cameron Smith | Sites of Race by David Theo Goldberg and Susan Searls Giroux | |
Svetlana Stefanova | Spatiality and Symbolic Expression: On the Links between Place and Culture edited by Bill Richardson | |
Pete Walsh | Post-Empire Imaginaries?: Anglophone Literature, History and the Demise of Empires edited by Barbara Buchenau, Virginia Richter and Marijke Denger | |
Aidan Watson-Morris | Between Two Fires: Transnationalism & Cold War Poetry by Justin Quinn | |
Robert M. Zecker | Overlooking Saskatchewan: Minding the Gap edited by Randal Rogers and Christine Ramsay | |
Complete Book reviews: History, Theory and Crticism in one file | ||
Contributors | ||
SEARCH TRANSNATIONAL LITERATURE
ISSN 1836-4845
FLINDERS INSTITUTE FOR RESEARCH IN THE HUMANITIES
© 2008
FLINDERS UNIVERSITY